Art Toronto 2021


October 29 – 31 2021






October 29:
Hannah Boone, Kaley Flowers, Tina Guo, Karice Mitchell

October 30:
Michelle Homonylo, Laura Hudspith Jeremy Laing, Sara Maston

October 31:
Meghan Harder, Deirdre McAdams, Izzy Mink, Robert Anthony O'Halloran



Photo documentation by Alison Postma

October 31: Hannah Boone, Kaley Flowers, Tina Guo, Karice Mitchell




Hannah Boone, Boys (2020), hand-dyed 100% wool, monks cloth, hand-dyed canvas, synthetic latex, thread, 60” x 48”



Hannah Boone, Good Girl (2019), 100% wool, monks cloth, canvas, thread, 45” x 31”



Tina Guo, Tying a knot (2021), oil on canvas, 36” x 48”


Kaley Flowers, Brand Burning Bitches (2021), ceramic, glaze, lustre, metal, epoxy, ash, 12 x 7”



Kaley Flowers, wedge drip melt slip (2021), ceramic, glaze, lustre, metal, epoxy, ash, 11 1/2 x 4 1/2 x 6”



Karice Mitchell, Ebony 2 (2021), archival inkjet, 2’ x 8’



October 30: Michelle Homonylo, Laura Hudspith Jeremy Laing, Sara Maston








Jeremy Laing, Arrangement of Supplemental Forms (2018-2021), chrome display stand, upholstery piping core, scrap clay, glaze, variable dimensions



Michelle Homonylo, My long sleep (2020), oil on canvas, 29 3/4” x 35 3/4”


Sara Maston, eyes that see in the dark (2018), oil on canvas, 82” x 59”





Laura Hudspith, Breast Tissues (The Rhizomorph)(2021), stained glass, copper chain, pipe and fittings
Laura Hudspith, Fallopian Tube (A Passageway)(2021), stained glass, copper chain, pipe and fittings

Laura Hudspith, Filamentous Chlorophyta (The Weaver) (2021), stained glass, copper chain, pipe and fittings



Laura Hudspith, Ovarian Tissue (The Animist) (2021), stained glass, copper chain, pipe and fittings

Laura Hudspith, Scenedesmus (The Communicant)(2021), stained glass, copper chain, pipe and fittings



October 31: Meghan Harder, Deirdre McAdams, Izzy Mink, Robert Anthony O'Halloran





Meghan Harder, end block exit grope no era (2020) coloured pencil on paper, 9” x 12 "



Meghan Harder, Anna’s Dream and Two of Homer Watson's Corpses (2021), coloured pencil on paper, 30” x 19 "



Robert Anthony O'Halloran, Improvised Incendiary Devices (2021, cast & dipped IGI 1239 paraffin & local beeswax, dye, gypsophila, smoke bush, thistle, cotton, linen flax, foraged mushrooms, hand-picked dandelion, lavender, craspedia, phalaris, solidago, bunnytails, mimosa, peonies, elephant ears, seeded eucalyptus, Queen Anne’s lace, various seasonal weeds, assorted stems and found burrs, each 18” x 10” x 8”






Meghan Harder, eat each day cone the cheated mill (2020), coloured pencil on paper, 8” x 10"



Robert Anthony O'Halloran, Polyp #268-271 (2020), gypsum cement, latex, approx. 7” x 9” x 3”

Robert Anthony O'Halloran, Polyp #241-247 (2020), gypsum cement, latex, approx. 18” x 12” x 3”



Izzy Mink, left to right:
crestfallen (2021), glass, beeswax, hand harvested clay, water, 3” x 3” x 3 1⁄2"
curly-haired soap (2021), soap, human hair, 4” x 2” x 2 1⁄2"
lazy phase (2021), hand harvested clay, snail shells, beeswax, medicine, 3” x 1 3⁄4” x 3”
slower/stopper (2021), drain stopper, beeswax, paint, 2” x 2” x 1”
untitled (spent tube) (2021), hand harvested clay, 7 1⁄2” x 3” x 1 1⁄2"
mouthwash (2021), soap, 3 1⁄2” x 2” x 1"



Deirdre McAdams, Loose (2020), oil on panel, 16” x 20"

Deirdre McAdams, In May (2020-2021), oil on canvas, 24” x 30"



Deirdre McAdams, Uniquely Positioned (2020), oil on canvas, 42” x 48"




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